Recently I was introduced to artist Makoto Fujimura. In exploring his works, I discovered his love for another artist, novelist Shusaku Endo. This admiration led to Fujimura becoming an advisor for the movie production based on Endo’s book Silence, a movie directed by Martin Scorsese. With all this overlapping of creativity, I decided I would read the book and then watch the movie. Today I finished the book and managed to find the movie on demand to watch this afternoon.
First, let me say what a joy it is to receive the creative gifts by these three artists-a contemporary artist, a novelist, and a filmmaker. Not only are they masters at their craft, but they engage all of who they are into their work, including their faith and beliefs. Unafraid of transparency, they allow you into their wrestling and therefore make it acceptable for you to acknowledge yours.
Endo’s Silence is set in seventeenth-century Japan. The tale challenges your commitment to your faith as you follow two Portuguese Jesuit priests encounter the forced renouncing of beliefs by their Japanese Christian brothers and dialogue with a silent God. You are forced to acknowledge persecution has always been a part of Christian history and will always be, something we prefer to forget Jesus told his disciples to expect.
Such stories produce various responses. Responses usually focus on what ifs and reminders to not forget those currently experiencing persecution. My biggest response today is this: I am the sole guardian of my faith. It’s not up to the church, a pastor or priest, or anyone close to me to secure my faith. In decisive moments where I have to live out my faith, it’s entirely up to me. When my mind tells me I’m alone and God has abandoned me, my faith reminds me that he said “I am with you always,” even in the silence.